Open City Documentary Festival Expanded Realities Exhibition

The work-in-progress of Cis Penance will be on display online this September as part of an exhibition for the Open City Documentary Festival.

We will host a mix of curated and newly commissioned work from artists and practitioners pushing the boundaries of interactive non-fiction storytelling. The exhibition will be free to access and available internationally from 9th – 15th September. A full micro-site that has been specially built to host the exhibition will launch soon.

I’m also excited to see the other work that will be included in the exhibition, including work by Jenny Jiao Hsia and Pol Clarissou. Jenny Hiao Hsia is representing the hands-on creativity that most people still are not aware of in videogames, by showing work made in Twine, Bitsy, and other open source game-making tools, as well as a game made for Flatjam. Pol Clarissou, whose previous work such as Orchids to Dusk has made my heart soar, is showing a Bitsy piece about moss and space – “moss as texture as space folding onto itself” uses lo-fi graphics and interactive poetry to draw you into the arts of noticing in a more-than-human living world.

The exhibition is free online from 9th-15th September, if you want to check it out!

Getting started with LED embroidery

As part of the Art + Tech residency with Space Studios, London (which they have kindly allowed me to do while continuing to “reside” in lockdown in Sheffield) I’m getting my head around LED embroidery at the moment, with the view to creating a very large piece this year for the Cis Penance interactive portraits project. I feel like I’ve got my head around the very basics now – what can electroconductive thread do as a material that both makes attractive shapes and also forms part of a system? How do some different ways of fixing traditional LEDs to fabric compare to one another? I learned quickly that improvising a circuit on-the-fly doesn’t work very well for me – even with this very simple circuit, things end up not working, and I don’t really understand why, so I do have to spend a couple of minutes sketching a design first so that I have set up a nice, clean path from power to ground. I always feel tickled when I end up filling a small sketchbook with ideas on a single theme. I’m not a trained artist, and when I do this exercise it feels like I’m temporarilty role-playing as one. I like the way ideas end up iterating on each other, getting more complex in a way that emerges from simplicity, rather than just getting really big in my head before I have any idea how to materialise them.
I started getting very excited about these simple graphical representations with thread that are just enhanced or enlivened by LEDs. It’s a very easy thing to do, and the results are quite dramatic. Meanwhile, I kind of fell out of love with one particular thing I did with the cosmonaut and the leaf, where the leg of the LED stays long and just loops back on itself enough to be secured in place. Although it’s nice to use the LED legs as part of the image, it’s very annoying to have them flapping about while you finish sewing the circuit in place, and they don’t always stay upright even after they’ve been sewn down. Curling them into tight loops is much more practical, though it can get in the way of the image as you see around the iris of the eye, so sometimes a compromise is probably best. Resistor values might be another thing to consider in the future. Using different resistors to deliberately vary the intensity of different LEDs could introduce some depth – or going the other way, LEDs of different colours or types do kind of need different resistor values in order to be as bright as one another. The next things I’ll be playing with are:
  • Beadwork embroidery techniques that best incorporate LEDs
  • Sewing solar light circuits to create embroidered LED nightlights
  • How to have multiple light circuits in one piece, so that different sets of lights can be switched on or off.

Panel talk at The Artist’s Journey #3

I’m excited to be speaking on a panel with Manish Harijan (artist) and Lady Kitt (artist, researcher and drag king) on 13th February as part of a two-day event about art careers at Sheffield Institute of Arts. The theme is “improfessionalism”, which feels fortuitously positioned alongside the “indisciplinarity” theme of the event at King’s College that I got to speak at last year.

While ‘professionalisation’ suggests the positive, necessary steps to becoming an artist, there are ‘improfessional’ practices that exist at an off-kilter relation to this imperative. Outside of the professional / unprofessional binary, what else do artists do, feel, or think as they build their portfolio, write their grants, or get on with these obvious tasks? And as both a direct or dissonant response to our art-making lives, what modalities of survival and thriving do we develop? How do we – or don’t we – maintain the balance, health, and motivation necessary to keep going as supposed art professionals?

I’m going to expand the talk I gave for the “indisciplinarity” event into something that delves even more into queer theories about time and life paths. There will probably be some Buddhist philosophy in there too, and I’m going to glance a little at the void by offering some thoughts on how to role-play as though there will be a future even though the world as we know it seems so fragile.

The whole two-day event schedule looks excellent, seems like the event will involve blending pragmatic questions with critical theory. Please check it out:

https://www.eventbrite.co.uk/e/the-artists-journey-3-tickets-88845377917

Cis Penance workshop in Dundee

This weekend, Jennifer Booth will be facilitating a workshop for the Cis Penance project, as part of NEoN Festival. We did a similar workshop this summer in Sheffield – the goal is to work collaboratively with LGBTQ+ folks to create a piece of visual artwork reflecting queer life paths and our relationship to time. This version of the workshop is going to have an extra element, incorporating tech toys such as a line-following robot or electroconductive ink, to further play with representations of systems, glitches, and discontinuity. Please come join us if that interests you and you’re in town.

Cis Penance

Interview in Our Favourite Places

Our Favourite Places is a site that reviews cultural stuff in Sheffield, and is an incredibly helpful resource that comprehensively covers all kinds of venues, events, and local businesses. This week they have published a lovely little profile of my work:

https://ourfaveplaces.co.uk/meet-the-locals/zoyander-street/

Speaking of interviews, but going in the other direction, where I’m the one asking questions: I’m keen to get more trans interviewees lined up for the next two weeks at Site Gallery. Give me a shout if you’re interested: zoyander@gmail.com

Site Gallery platform exhibition

Mid docfest update

Docfest is about halfway done,
and it’s been so lovely so far.
The Interactive Portrait Cushions
are hung right of the entrance to
the exhibition space, and I’ve had
great conversations with people about the unique pleasures and challenges of handmade computers.

I just finished a panel discussion with IP Yuk Yiu about his piece, to Call a Horse a Deer, comparing our approaches to simple interface design for conceptually complex works.

On Tuesday I will be on a
panel with Georgie Pinn in the
context of a series of discussions
about ecological and environmental
issues. I’m very excited that this
provides the opportunity to talk
about how computer media and
empathy discourse relate to bigger
global issues such as resource extraction, and waste flows to the global south.

Critaoke

I’m going to embarrass myself this Saturday by performing a Karaoke version of Sara Ahmed’s “Feminist Killjoys” to the tune of Chiquitita (I haven’t called it Critiquita, but gosh that seems like a missed opportunity now). Details below.

Description

Join us as we mark the closing of Re-collections with Crit-a-Oke – a free cabaret event featuring live performances, projections and karaoke.

Crit-a-Oke feels like a late night party lecture. Squashing art criticism, theory and academic texts into a karaoke blender and sipping on the thinky musical smoothie that drips from the other side.

Think Donna Summer and the S.C.U.M. Manifesto.

Ask, “Does your Mother Know” about John Berger?

Get thoughtful and dancey all at once as Sheffield’s artists and thinkers perform their favourite arty texts as you’ve never heard them, to the songs that you (probably) know.

Specially created visuals projected during the performances will reference Site’s lifespan from 1979 to the present, with contributions from Society of Explorers.

Performing on the night:

  • Tsarzi
  • Sarah Christie
  • Matthew Cull
  • Oriana Franceschi
  • Caitlin Merrett King & Josef Shanley Jackson
  • Miriam Miller
  • Zoyander Street
  • Lucy Vann

Kollective Coffee and Kitchen will be open late serving refreshments.

Crit-a-Oke is brought to you by Tžužjj – a curatorial project between Louis Palliser-Ames and James Harper.

Links

Facebook: https://www.facebook.com/events/598394327325506/

Eventbrite: https://www.eventbrite.co.uk/e/crit-a-oke-closing-party-tickets-60570695581