I wrote a short essay in the “Science Fiction Frames” format for Arizona State University Centre for Science and the Imagination’s newsletter Imaginary Papers. Building on a presentation I gave a few years ago, it’s a discussion of how speculative wearable devices support the narrative of Simon Amstell’s 2017 mockumentary Carnage, including a quick comparison with Donna Haraway’s Camille Stories.
Check it out here:
Fun side-note: until I rewatched Carnage, I have completely forgotten that Amstell had actually anticipated a global pandemic and written it into the timeline that leads up to a utopian future society where animal exploitation has ended. His thinking was that a zoonotic virus would challenge us to reconsider the harms caused by intensive agriculture, and lead to new laws banning the worst excesses of the industry. Why that didn’t happen in our timeline is a question that would probably take a lot of unpacking.